Futile Dreams of Escape in The Glass Menagerie :: Glass Menagerie essays

Futile Dreams of Escape in The Glass menagerie I shed always been more interested in creating a character that contains something crippled. I think nearly every of us have some kind of defect, anyway, and I suppose I have launch it easier to identify with the characters who verge on hysteria, who were frightened of life, who were desperate to reach come out of the closet to another person (Rasky 134). This statement of Tennessee Williams supports the idea that he incorporates something crippled into all his major characters. In his play, The Glass Menagerie, Williams portrays a crippling mother and nipper relationship. He clearly illustrates that none of the characters are capable of living in the present. The characters believe that happiness will be found in their retell quests for escape from the real field. As such, they retreat into their separate worlds to escape lifes brutalities. peg down in Depression-era St. Louis, the overbearing Confederate ex-charmer, Amand a Wingfield is the de facto head of the household. A former Southern belle, Amanda is a single mother who behaves as though she still is the blue school beauty queen. Williams still-resonant study reveals her desperate struggle with the forces of fate against her nonadaptive relationship that looms and grows among her adult children. (Gist) Laura, Amanda, Tom, and Jim resort to various escape mechanisms to avoid reality. Laura, horrifying of being denigrated as inferior by virtue of her innate inability to walk, is shy and detaches her ego from the unfeeling modern world. Amanda tries every means to integrate her into society, precisely to no avail. She sends her to business school and invites a gentleman caller to dinner. She is two unable to cope with the contemporary worlds mechanization represented by the accelerate test in typing and unable to make new acquaintances or friends due to her immense inhibition with people. Her life is humdrum and uneventful, yet it is in fu ll of dreams and inundated with memories. Whenever the outside world threatens Laura, she seeks solace and retreats to her glass animal world and old phonograph records. Amanda, her mother hints at the alternative of matrimony for debacle in business careers and Laura utters a startled, doubtful laugh. She reaches quickly for a entrap of glass. (Williams, ). The glass menagerie becomes her tactile consolation. The little glass ornaments represent Lauras self and characterize her fragility and delicate beauty.