Comparing Portrayal of Women in One Hundred Years of Solitude and The House of the Spirits :: Comparison Compare Contrast Essays

Portrayal of Women in One Hundred Years of Solitude and The House of the spirits           The portrayal of women in the novels One Hundred years of Solitude and The House of the Spirits differs greatly. In One Hundred Years of Solitude empowerment comes only(prenominal) through age, for instance Ursula Iguaran, the matriarch of the Buendia family and to some extent Macondo, or through strength of sexuality, for instance Pilara Tenera the sexual matriarch of Macondo. This is in contrast with The House of the Spirits where empowerment comes to a fault through force of conviction, as seen with Nivea, and also through commercial enterprise as seen with Transito Soto. These women represent Allendes own brand of feminism Furthermore those women who accept a traditional role of subservience and remain staunch in their conservatism are shown to finish their days alone and mostly forgotten as is seen with Ferula and Nana.   As the novels were set in first half of the twentieth century in  Latin America, the role of women in the affable hierarchy of this backdrop is worthy of consideration. This was a patriarchal society where men of whatever age were always superior in standing to women. As a woman aged, her position in the social hierarchy would increase. Furthermore women had few  career choices all were linked to some form of domestic service whether solely as a wife and engender or as a nanny or a combination. Religion played a very important role in this predominantly Catholic area. The role of women as portrayed by the church was somewhat of a paradox, simultaneously acknowledging and praising women for the gift of child bearing and yet depicting them as the root of all sin, as the temptress inducing thoughts of fornication as well as causing the original sin, that being Adam eating the issue in the Garden of  Eden.           Despite Marquezs well documented anticle ricalism this idea in church ideology of the temptress is paralleled in One Hundred Years of Solitude albeit the move into of Eve in her roles is split between the matriarchs of Macondo namely Pilar Tenera and Ursula Iguaran. In the beginning of One hundred years of solitude The world was so juvenile that many things lacked names, and in order to indicate them it was necessary to